| Jacob Hashimoto was born on 1973 lives in New | | | | • Silent Rhythm, Galleria |
| York City and Verona. Jacob Hashimoto cuts rice | | | | Traghetto, Venice |
| paper into small geometric shapes and glues the | | | | • Finesilver Gallery, San |
| shapes to delicate wooden frameworks, which he | | | | Antonio |
| attaches to black fishing line and ties to long | | | | 2001 |
| wooden pegs at the top and bottom of his | | | | • Giant Yellow, Patricia Faure |
| rectangular, wall-mounted, waterfall-like hangings. | | | | Gallery, Santa Monica |
| The pegs are evenly spaced from side to side | | | | • Big Mountain, Patricia Faure |
| across the top and bottom of the piece. | | | | Gallery, Santa Monica |
| The artist ties six roughly overlapping layers of | | | | 2000 |
| shapes onto each peg, creating a dense, | | | | • Carte Blanche à |
| kaleidoscopic multi-level field in which a given | | | | Hélène de Franchis, |
| shape may be visible or hidden, depending on the | | | | Galerie Lucien Durand-Le Gaillard, Paris |
| angle of view. The hanging seems to move as | | | | • Project Room, Patricia Faure |
| we walk past. But is it a sculpture or a painting? | | | | Gallery, Santa Monica |
| Where is the figure? Where is the ground? | | | | • Giant Yellow and Other |
| Hashimoto's show, titled "skip skitter start trip | | | | Structures, Galerie Lucien Durand-Le Gaillard, Paris |
| vault bounce -- and other attempts at flight" | | | | 1999 |
| opened at Chicago's Rhona Hoffman Gallery in | | | | • Armada, Chicago Cultural |
| mid-November, but closed early when everything | | | | Center, Chicago |
| sold. The show featured one ceiling piece along | | | | • Infinite Lightness, Studio la |
| with seven wall works, constructed of like | | | | Città , Verona |
| elements but with varying content. | | | | • Galleria La Nuova Pesa, |
| Slip into Vapor could almost be a landscape. | | | | Rome |
| Measuring five feet high and four feet wide by 7.5 | | | | 1998 |
| inches deep, it is composed of paper ovals, each | | | | • Infinite Expanse of Sky, |
| roughly four inches wide, which are mounted on | | | | Museum of Contemporary Art, Chicago |
| X-shaped frameworks and suspended between 13 | | | | • Project Room, Patricia Faure |
| wooden pegs at the top and 13 below. White and | | | | Gallery, Santa Monica |
| blue ovals, suggesting clouds and sky, comprise | | | | 1997 |
| the upper half of Slip into Vapor, while darker | | | | • Ann Nathan Gallery, Chicago |
| ovals in the lower half could be rocks, soil or | | | | 1996 |
| vegetation. The artist collages long slices of green | | | | • Sky Canopy Installation, Ann |
| paper-like grass onto some ovals and puts fanciful | | | | Nathan Gallery, Chicago |
| decorative designs on others. As the viewer | | | | GROUP EXHIBITIONS |
| walks by, these peep out to surprise and amuse. | | | | 2005 |
| Face Ache at Ice Cream Social measures eight | | | | • Italian Feeling, XIV |
| feet square and employs hexagon shapes with a | | | | Quadriennale di Roma, Galleria Nazionale d'Atre di |
| mad variety of designs. Dark and dense above | | | | Roma, Rome |
| and light below, this piece seems to sparkle, | | | | 2004 |
| bubble upward, and move in all three dimensions, | | | | • White, Patricia Faure Gallery, |
| but it is never busy because the artist alternates | | | | Santa Monica |
| decorated and plain white hexagons, both across | | | | • Artseasons, Cas Pellers, |
| the face of the work and in its layers. Hashimoto | | | | Palma de Mallorca |
| begins by making wooden frames from tiny | | | | • Jen ne regrette rien, Studio |
| sticks, tying them together with thread, and | | | | la Città , Verona |
| affixing translucent rice paper to them. If he | | | | 2003 |
| wants color or a design, he collages it onto the | | | | • Structure, Patricia Faure |
| paper shape -- nothing is painted. When a framed | | | | Gallery, Santa Monica |
| shape is ready, he dips it in acrylic resin for | | | | 2002 |
| strength. After creating a large inventory of these | | | | • Intermezzo, Studio la |
| elements, he selects shapes of different size and | | | | Città , Verona |
| design, and strings them on nylon line, which he | | | | • Officina America - |
| employs because it does not stretch. Now he is | | | | ReteEmiliaRomagna, Palazzo dell'Arengo, Rimini |
| ready to tie the strings to the pegs. Hashimoto | | | | 2001 |
| also exhibited Super Abundant Atmosphere II, a | | | | • Phoenix Triennial, Phoenix |
| ceiling-hung work made of pale forms that | | | | Art Museum, Phoenix |
| suggest billowing clouds. Apparently one of the | | | | • Conceptual Color: In Albers' |
| "attempts at flight" in the show title, this piece | | | | Afterimage, San Francisco State University, San |
| brought the sky indoors and almost seemed | | | | Francisco |
| ready to levitate the gallery. | | | | 2000 |
| SOLO EXHIBITIONS | | | | • Made in California NOW, |
| 2007 | | | | Boone Children's Gallery, Los Angeles County |
| • Mary Boone Gallery, NY | | | | Museum of Art West |
| 2006 | | | | 1997 |
| • Studio La Città , | | | | • Perennial, Carleton College |
| Verona | | | | Boliou Art Gallery, Northfield, Minnesota. |
| 2005 | | | | • Headless, William Cordove |
| • Superabundant Atmosphere, | | | | and Jacob Hashimoto, Lineage Gallery, Chicago |
| Rice Gallery, Rice University, Houston | | | | 1996 |
| • Skip Skitter Start Trip Vault | | | | • Thesis Exhibition, School of |
| Bounce - and other attempts at flight, Rhona | | | | the Art Institute of Chicago, Chicago |
| Hoffman Gallery, Chicago | | | | • Young Americans of Asian |
| 2004 | | | | Ancestry, Hyde Park Art Center, Chicago |
| • Bloom, San Jose Museum of | | | | Conclusions: |
| Art, San Jose | | | | Jacob Hashimoto show, titled "skip skitter start |
| • Altadena, Tacoma Art | | | | trip vault bounce -- and other attempts at flight" |
| Museum, Tacoma | | | | opened at Chicago's Rhona Hoffman Gallery in |
| 2003 | | | | mid-November, but closed early when everything |
| • The Nature of Objects, | | | | sold. The show featured one ceiling piece along |
| Studio la Città , Verona | | | | with seven wall works, constructed of like |
| 2002 | | | | elements but with varying content. |
| • Studio la Città , | | | | What to Do Next... |
| Verona | | | | |